Le Ravissement (de Mike Waters), performance, 2010. Image : Alice Millet
processus de désidentification
performance de désidentification
carnet d'adolescent (2009-2010)
Why look for a history? Why look for a past? We are driven by longing, by desire, by pain: because we are made to feel insecure about our existence, because we are afraid to tell our families about our lovers, because we are invalidated by larger society, because we feel like outsiders from too many places, because we have been cut off from historical connection and ancestral roots by various degrees of coercion. For all these reasons and more, history can be a valuable source of validation and legitimization.
(Jeeyeun Lee, 1998)
capture d'écran, River Phoenix in My Own Private Idaho (Gus Van Sant, 1991) reste in peace angel